Small yellow tree the only bright color – overcast day after heavy rain shower. Richardson Lake, Maine #mainetheway #rangeleylakes #mainephotography #mainetourism #mainelife #downeastmagazine #mainemuseumofphotographicarts John Orcutt January 8, 2019 Instagram You Might Also Like Round Top Farm Barn – just before diner at the First Damariscotta Oyster Celebration last weekend. #mainetheway #mainephotography #mainetourism June 24, 2018 Never a dull moment in Kingfield, Maine. Photo is from the second floor of our Schoolhouse. Our neighbor, Harry, is cleaning out his chimney. His wife, Debby, is either providing encouragement or supervising, not sure which. #orcuttphotography.com #kingfieldmaine #chimneysweep #nevera dullmoment May 12, 2021 Grain Storage on the road between Tetonia and Ashton, ID. In the book, The Dirt Meridian, Toby Jurioc quotes Frank Gohlke, master of the Texas landscape, writing about his own images of grain elevators. “I was frustrated by the discrepancy between the ordinariness of the facts surrounding the grain elevators and the intensity of my emotional responses to the objects themselves. …. The dignity of grain elevators, the precision, intelligence and grace of their formal language, their majestic presence within the landscape all seem to confirm the faith that, given the right circumstances, we will make visible the best that is within us”. February 2, 2020
Round Top Farm Barn – just before diner at the First Damariscotta Oyster Celebration last weekend. #mainetheway #mainephotography #mainetourism June 24, 2018
Never a dull moment in Kingfield, Maine. Photo is from the second floor of our Schoolhouse. Our neighbor, Harry, is cleaning out his chimney. His wife, Debby, is either providing encouragement or supervising, not sure which. #orcuttphotography.com #kingfieldmaine #chimneysweep #nevera dullmoment May 12, 2021
Grain Storage on the road between Tetonia and Ashton, ID. In the book, The Dirt Meridian, Toby Jurioc quotes Frank Gohlke, master of the Texas landscape, writing about his own images of grain elevators. “I was frustrated by the discrepancy between the ordinariness of the facts surrounding the grain elevators and the intensity of my emotional responses to the objects themselves. …. The dignity of grain elevators, the precision, intelligence and grace of their formal language, their majestic presence within the landscape all seem to confirm the faith that, given the right circumstances, we will make visible the best that is within us”. February 2, 2020
