A chandelier in the lobby of the Bobby Hotel in Nashville, TN is constructed of automobile parts INCLUDING 1970’s tail fins. #nashvilletennessee #orcuttphotography #bobbyhotelchandelier John Orcutt November 30, 2019 Instagram You Might Also Like A River of Pearly Everlasting photographed on Route 16 north of Eustis. The plant drift has filled in an old road bed, articulating the curve from the woods. #eustismaine #route16maine #orcuttphotography #pearlyeverlasting #mainenaturephotography October 21, 2021 Bigelow Range with Early Snow is a photo from a few years ago. We installed it yesterday in a residence in western Maine, along with several other large format prints. #bigelowmountainrange #earlysnow #westernmaine #orcuttphotography.com November 5, 2021 Grain Storage on the road between Tetonia and Ashton, ID. In the book, The Dirt Meridian, Toby Jurioc quotes Frank Gohlke, master of the Texas landscape, writing about his own images of grain elevators. “I was frustrated by the discrepancy between the ordinariness of the facts surrounding the grain elevators and the intensity of my emotional responses to the objects themselves. …. The dignity of grain elevators, the precision, intelligence and grace of their formal language, their majestic presence within the landscape all seem to confirm the faith that, given the right circumstances, we will make visible the best that is within us”. February 2, 2020
A River of Pearly Everlasting photographed on Route 16 north of Eustis. The plant drift has filled in an old road bed, articulating the curve from the woods. #eustismaine #route16maine #orcuttphotography #pearlyeverlasting #mainenaturephotography October 21, 2021
Bigelow Range with Early Snow is a photo from a few years ago. We installed it yesterday in a residence in western Maine, along with several other large format prints. #bigelowmountainrange #earlysnow #westernmaine #orcuttphotography.com November 5, 2021
Grain Storage on the road between Tetonia and Ashton, ID. In the book, The Dirt Meridian, Toby Jurioc quotes Frank Gohlke, master of the Texas landscape, writing about his own images of grain elevators. “I was frustrated by the discrepancy between the ordinariness of the facts surrounding the grain elevators and the intensity of my emotional responses to the objects themselves. …. The dignity of grain elevators, the precision, intelligence and grace of their formal language, their majestic presence within the landscape all seem to confirm the faith that, given the right circumstances, we will make visible the best that is within us”. February 2, 2020
