Tree Frame, North New Portland, Maine after latest snowfall. #mainetheway #mainelife #mainephotography #mainewinter #downeastmagazine #newportlandmaine John Orcutt January 10, 2019 Instagram You Might Also Like Big Crane at Bath Iron Works – driving up the coast of Maine on a stormy night. #mainetheway #mainephotography #downeasrmagazine #mainelife #mainemuseumofphotographicarts January 8, 2019 Extensive variety of tulip types and colors at Wicked Tulips in Johnston, Rhode Island. You can pick your own bouquet. #wickedtulips #orcuttphotography #happypeople #flowerart #pickyourown #rhodeisland #johnstonrhodeisland May 3, 2019 Grain Storage on the road between Tetonia and Ashton, ID. In the book, The Dirt Meridian, Toby Jurioc quotes Frank Gohlke, master of the Texas landscape, writing about his own images of grain elevators. “I was frustrated by the discrepancy between the ordinariness of the facts surrounding the grain elevators and the intensity of my emotional responses to the objects themselves. …. The dignity of grain elevators, the precision, intelligence and grace of their formal language, their majestic presence within the landscape all seem to confirm the faith that, given the right circumstances, we will make visible the best that is within us”. February 2, 2020
Big Crane at Bath Iron Works – driving up the coast of Maine on a stormy night. #mainetheway #mainephotography #downeasrmagazine #mainelife #mainemuseumofphotographicarts January 8, 2019
Extensive variety of tulip types and colors at Wicked Tulips in Johnston, Rhode Island. You can pick your own bouquet. #wickedtulips #orcuttphotography #happypeople #flowerart #pickyourown #rhodeisland #johnstonrhodeisland May 3, 2019
Grain Storage on the road between Tetonia and Ashton, ID. In the book, The Dirt Meridian, Toby Jurioc quotes Frank Gohlke, master of the Texas landscape, writing about his own images of grain elevators. “I was frustrated by the discrepancy between the ordinariness of the facts surrounding the grain elevators and the intensity of my emotional responses to the objects themselves. …. The dignity of grain elevators, the precision, intelligence and grace of their formal language, their majestic presence within the landscape all seem to confirm the faith that, given the right circumstances, we will make visible the best that is within us”. February 2, 2020
